November 26th, 2016
First time in months where the perfect confluence of events—something to say and the time to say it—are in the house.
Speaking of the house, we’re in a new one … and so is my studio. I’m told that the room my studio is in now is actually smaller than the one I had in our last home. But I shared that one with my wife and here workstation. Now she’s got her workstation in another room and I have a sofa in place of it.
The other thing that I find makes my new studio so much more conducive to working well is that behind me are sliders leading to a deck that overlooks the golf course we now live on. And as golf, like book design, captivates me, I am thrilled.
But the move slowed down work prematurely this year. I stopped promoting and looking for new projects once we knew we were selling the old and serious about finding the next. Just the same, it was all I could do to finish projects I had in house.
Interestingly, even with no new work coming in since mid-summer, my usual by-Christmas-business–is-dead song need not be sung yet, as it looks like I’m still on target for two new books to start before the year ends: the third in a four-book children’s series and a book of music criticism on the works of Beethoven.
And I am poised to pick up again on the book I began writing some time ago about using the open-source page layout program Scribus for book design and layout. To celebrate I’ll be doing this on a new computer, a much faster, 27-inch iMac (still with the second monitor, the 23-inch Cinema Display I’ve had for some years now), running under the new Macintosh OS, Sierra.
I am doing my best to continue with the software I’ve been using for some years now. While I apparently have not reach an expiration date on that older version of Adobe’s Creative Studio, CS5.5, as well as QuarkXPress 2015, I am preparing for a time when I may just have to hold my nose and subscribe to Adobe’s Creative Studio to continue using InDesign and Photoshop.
None of the above is to say that I am over my anger at Adobe’s “pay-in-perpetuity” plan, but there is a high degree of comfort I will admit to when it comes to working in the Adobe suite. Nevertheless, writing the book will give me a better feel for alternatives. And there is still Quark, which, contrary to many I’ve heard from, remains a viable and improved program with tools for making ebooks that offer further value.
So things couldn’t be much better. Thanksgiving arrived at a particularly appropriate point this year. I hope everyone else is feeling the same and events are proceeding just as happily and successfully for all.
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