May 30th, 2016
One of the continuing expenses for any business using a computer is upgrading software. Now the purveyors of all that software would have us install an upgrade every time they come out with one. But it’s not that simple. Business owners can’t always indulge the tendency, should they have it (and I do) to be technology junkies who always want new and shiny. This may be particularly true for graphic designers and artists, including book designers.
In my case, the inclination is strong toward wanting a new machine—iMac, iPad, iPod Touch—every time they come out with one. The exceptions are iPhone—I don’t own one, as I don’t use a cell phone often enough to care about the familiarity, convenience, and ease of use that having another Apple device would bring me. The Apple computers and idevices I already have fill all my e-needs, from working to monitoring my runs to providing for my television viewing. And the biggie: I will never get rid of my 17-inch MacBook Pro. Apple’s discontinuing the 17-inch size in its laptops definitely puts a damper on my Apple fanboy inclinations. I need the size to display to facing pages at a time of the books I work design and lay out.
Then there are the software upgrades. Having worked for over 25 years as a book designer, my preferences have run the gamut. I started with PageMaker, at the time only capable of single-page documents, and quickly moved over to QuarkXPress when I became aware of it, because multipage docs, books, were possible. I also liked the precise way Quark handled type. Instead of sticking religiously to the pasteboard metaphor, Quark allowed for items to be positioned on a doc by typing in exact numerical coordinates. To me, this was deal-maker.
I avoided InDesign, the supposed Quark-killer, for some years, despite Quark the company becoming less nice and less responsive to its customers than Adobe, because I didn’t care for InDesign’s type handling compared to QuarkXPress when I tried out demo versions a couple of times.
And a funny thing happened, just when I found a version of InDesign that finally seemed to do a better job of handling type, I ran into possibly the nicest person ever to work at Quark. I was working on my first children’s book, Mishka: An Adoption Tale. It’s so long ago, I forget exactly what the problem was that the printer—in China—was having with the illustrations I had placed in the layout—it became my problem, not the illustrator’s—so I wound up contacting Customer Service at Quark and got walked through fixing the problem.
Afterward, the woman at Quark who had helped me off the ledge was very modest about how she saved her day, no matter how profusely I thanked her. In fact, she told me to watch my mail for a little gift “for [my] trouble.” Imagine that, she helped me and was sending me a gift! Well, when it came, it was a CD full of “Extras” for Quark. The only problem was that I was working with version 6.something and these Extras required version 7.
At that point I wasn’t exactly getting enough book design work to spend the hundreds of dollars on software upgrades as often as I would have liked. So I emailed my new friend at Quark, thanked her, and asked if she wanted me to return the CD. She said, “No. Watch your mail again.”
Days later I received a full copy of Quark 7.02. For free. When I thanked her, she said—and this quote is exact; I still remember it—“This is one of the nice things I get to do now and again at my job.” And she went on to say she was leaving Quark for a new job with a new company, so this was a great way for her to close out her time there.
Soon after that, as I said, I started to use InDesign and gradually shifted over to it exclusively. That free Quark 7.02 upgrade was the last time I upgraded Quark until just last year. After Adobe went to its monthly fee, subscription method of selling its software, I was done with Adobe. Like my 17-inch MacBook Pro, I plan to ride my version of InDesign (and the rest of Adobe’s Creative Studio 5.5 suite for as long as it worked on whatever computers I am using). I so dislike being told I must rent their software eternally, instead of purchasing it outright whenever I feel ready for a new version.
That brings me to the last, perhaps most important, of upgrades: Macintosh operating systems. Now, normally, I want to upgrade the OS every chance I get. With incremental, “security” updates I always do so immediately. With big, “name change” OS updates—i.e., from Lion, to Mountain Lion, to Yosemite, and now to El Capitan—I wait a couple of months and read what feedback and reviews that I can on the new OS and then upgrade the MacBook Pro, nominally my “backup machine.”
I did just that a few months ago. I had to install a version of the Java Runtime Environment—not the latest version—for InDesign to work; but I did and it does.
So, for some reason, just before I went to bed last night, around midnight, I decided it was time to upgrade the iMac to El Capitan. I find it easier to do this late like this, so that I’m not in bed and watching and waiting for the pot to boil. Plus I very rarely sleep through the night, so I can check that it’s downloaded, tell it to install, and have it tip-top by morning.
All that went well. I simply forgot about the Java installation. It’s easy enough. Just have to find the correct version. Well, long story short, perhaps I should have waited on this part, as I was sleepy. I wound up installing the latest version of Java. Which left me fuming in the middle of the night. I found something that showed me how to uninstall the latest Java, using the Terminal app.
The Terminal is generally techier than I like to get. I’m not sure why. The few times I’ve needed it, things have gone well. It may be all the warnings I’ve read about the inadvisability of “playing” with Terminal. Well, so I copy and pasted the two lines of code into the Terminal window. Then I went back to bed.
This morning, after a quick Google for the version of Java that I need, I downloaded, installed, and now I’m back in business.
Maybe the middle of the night isn’t the best time.